My daughter Ella is obsessed with birds. Her
favorite birds are tropical, but she is fascinated by all of them. When did
this start? Last January, when her second grade class studied the tropical
rainforest. Ella really wanted to study the Toco Toucan, but another student
did, too, and so Ella formally researched the Capybara (the world’s largest
rodent, for those of you who don’t know) instead. But she didn’t let the
Capybara stop her from learning about the Toco Toucan. In fact, it spurred her
on. Why am I writing about this on a professional blog, you may wonder? Because
what I saw unfold in and out of school last year continues to impact her life
now, and there is a lesson for all of us in the fusion of reading and writing
fiction, nonfiction, and poetry in the context of genuine inquiry and
exploration in the classroom.
Many primary grade teachers have spent the
past ten years focusing almost exclusively on reading, writing, and math skills
because of the statewide assessments demanded by No Child Left Behind. But for
many students, it’s exploring the world, puzzling over maps, studying animals,
and examining artifacts from different cultures and time periods that serve as
the catalyst for reading and writing. This is where the new focus on having
elementary school children read 50% informational text over the course of their
school year is so exciting. Not only will this, hopefully, bring back more
science and social studies instruction in the elementary school so that
students aren’t starting from scratch when they reach middle school, but it
will allow for authentic exploration of nonfiction texts not solely in the
context of language arts and genre study, but in the context of learning
content, of experiencing the world. Learning about the world and reading a
range of nonfiction texts is not boring, it’s liberating. It does not fence off
the imagination, it fuels it.
Ella continues to love learning about birds,
and has enough exposure to fiction, nonfiction, and poetry, that she knows how
to read to learn and write to show what she’s learned. In her spare time, she
reads nonfiction books and websites, observes birds at zoos and in the
backyard, and watches videos and documentaries on endangered birds. She takes
what she has learned about birds and uses the information to write fictional stories
with birds as characters, songs, and nonfiction texts that inform the reader.
But she has also created a new activity: Birdnastics, where birds experience a
fusion of gymnastics and dance. Her
collection of stuffed birds has grown, and when she comes home from school,
they are often taking classes such as “Seed Splitting and Spitting” or
“Camouflage” at her imaginary school. Fact and fiction are fused in play,
incorporating the best of what she’s learned within her own imaginary world.
Learning about endangered birds and the
endangered rain forest has also fueled Ella’s sense of activism. She wanted to
donate money to the Nature Conservancy on her birthday, and she’s policing our
purchases of chocolate and coffee to ensure that we are buying Fair Trade.
For Ella, what began in school has spilled
out into her personal life. We have been able to witness how her passion and
curiosity has fueled her learning. There are many children who do not have
access to texts at home, who do not have time and resources to do research as a
personal hobby. For those children, they need school to be the catalyst, to be
the place where fact and fiction are fused in play, where choosing to write fiction or nonfiction about a topic they are exploring is an avenue for agency
and engagement with their learning. They need these wrap-around experiences in
science and social studies to reinforce and extend what they are learning about
language in language arts.
I fear that too many schools are thinking about
the Common Core Standards as simply a checklist of things they have to do,
rather than an opportunity to reorient learning as emancipatory, as a way for
students of all ages to use print and digital texts to interact with the world
beyond school, and perhaps even try to change it.
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